The Unseen Granny

Nithin Lukose with his Grandmother Mariakutty

Unseen characters have been used since the beginning of theatre with the ancient Greek tragedians, such as Laius in Sophocles’ Oedipus Rex and Jason’s bride in Euripides’ Medea.  Rosaline in Shakespeare’s Romeo and Juliet is another classical example of an unseen character.

In the Malayalam movie Paka which was showcased in the recently concluded Toronto Film Festival, there is a Granny whose disgruntled  mutterings are pivotal to the movie all through.  Only her toes are shown, with her lying on her bed.  Her two grandsons live with her until one of her sons, uncle of the two grandsons, returns from jail. 

In the Thamizh movie ‘Ethir Neechal,’ directed by K Balachander, the Coughing Grandfather only his cough is heard all through the movie. The Grandfather is never shown. The other movie I watched where a body part of a main character is shown is in Inspector Gadget, a 1983 animated film where the villain Dr Claw’s right hand is shown all through the film. 

Like the Dr Claw, the Granny of Paka is arrogant, malicious, ruthless, sinister, short-tempered and sadistic.  The Granny is the one injecting venom of revenge into her grandsons.  She does not want to change and does not even want any light or fresh air entering her room.  She chastises her grandson who tries to open the window of her room.  After her death, the grandson opens the very same window to let in light and fresh air into the room.

The other movie I remember where a main character’s legs were shown was in Charlie’s Angels, where the villain and the master mind’s legs are shown at the very end.  In Paka, the Granny’s toes are only shown all through.

I wanted to meet Nithin Lukose, the director and script writer of the movie after the premier show, but Nithin couldn’t make it to Toronto due to the pandemic protocols.

Mariakutty, aged 83 years.  who enacted the role of the Granny mesmerised the  viewers with her voice alone.  She happens to the Grandmother of the Director Nithin.  The story is loosely based on the stories the Granny narrated to a young Nithin.  In fact Mariakutty relived her life in the movie, through her voice.

Movie Review : Paka

Filmmaker Nithin Lukose’s debut directorial venture  Paka (River of Blood) premiered at the 46th Toronto International Film Festival (TIFF) and I was fortunate enough to watch it – thanks to our friend Mr Suresh Nellikode. 

Paka is a tale of a river where the spilled blood of two warring families flow – akin to the rivers and streams in many Indian villages, where hatred, jealousy, bitterness and blood flowed with the water.  At times the waters carried a corpse or a severed limb.  The warring factions can be well described as the Pandavas and Kauravas of Mahabharata, where there is no winner.  Interlace it with a ‘Romeo and Juliet’ like romance between two lovers from the warring sides, it’s a complete story to narrate. 

Paka is set in Wayanad, Kerala, is a gripping and fast paced story of revenge which gets inherited over three generations.  The irony is that the acidity of revenge increases with each passing generation.  The modern generation, the educated and worldly aware one, appears most acidic.

The movie ends with one side discarding all the weapons of revenge in the very same river and the other side diving deeper into vengeance, hatred and revenge.

Though natural sounds have been used all through the movie, the score composed by Faizal Ahmed adds value to the climax.  Camera work of Srikant Kabothu brings out the natural beauty of the hilly terrain and the tropical forests of Wayanad.  Arunima Shanker’s editing is crisp and it ensures a fast pace for the movie.   The only flaw is in non-synchronisation of sounds of the band and chenda melam (ensemble of drums)  during the church festival.

The cast needs a special mention as most actors were common people from the villages of Wayanad, who faced the camera for the first time.  Basil Paulose and Vinitha Koshy have done a great job as the lead pair and the debutantes Athul John as Paachi, Jose Kizhakkan as Kocheppu, Joseph Manikkal as Varkey  have exceeded expectations of raw newcomers. 

The film has short with crisp dialogues and comes with English subtitles.  This will facilitate better understanding of the movie by all.

The word Paka in Russian is an informal way to say goodbye.  Russians often say paka paka  meaning bye bye!.  The very same word Paka in Malayalam denotes hatred. Paka  is a village in southeastern Estonia. In Japanese Paka means a hooded jacket.  The Maoris of New Zealand use the word to denote a white man.  In Swahili, Paka means a cat and in the computing world its an acronym for Password Authenticated Key Agreement.    What a contronym!!!  A dichotomy among languages!   

Kudos Nithin Lukose for an excellent movie.  Paka deserves its selection for the TIFF this year and is a must watch for all.