Nostalgia struck me when I read a Facebook post by a very senior alumni of our school about the movie – The Guns of Navarone. It was the second English movie I watched in my life. The first English movie was Mackenna’s Gold. The next English movie was Where Eagles Dare.
When I joined the school in 1971, I knew only Malayalam and English was all alien. The ‘scary’ scenes in all these movies ensured that I closed my eyes and slept off in 15 minutes. I later watched all these classics.
A movie was screened every Saturday, Thamizh, Hindi, English and occasionally a Malayalam movie. The swimming pool doubled up as an open-air movie theatre with the viewers sitting on the stadium steps, and the screen placed on the opposite side of the swimming pool. Later, the old Senior Cadets’ Mess was converted into a movie theatre. The cadets had early dinner on Saturday at 7 PM and the screening commenced at 8 PM – after it became dark.

The Masterminds Behind the Screen
Mr. P. Gurumoorthy, our Mathematics Teacher, was an expert in local liaison—and the man responsible for procuring the movies. Late Mr. P.T. Cherian, our Physics Teacher, handled the screening. To read more about Mr PT Cherian, please click here.
Mr. Gurumoorthy was better known as the Naval Officer in the National Cadets Corps. The sight of him in his crisp white Naval uniform was the main motivating factor for many of our friends choosing the Indian Navy at the National Defence Academy. He was also instrumental in my opting for the Navy as my first choice—but the medical authorities decided I was fit only for the Army.
The Technology of the Times
The projector we used was an RCA Photophone 35mm, which employed a carbon arc to throw the image of the celluloid film onto the big screen. Digital screening had not yet arrived. Movies came in reels—each reel 1000 feet long, running for about ten minutes. Indian movies typically had sixteen reels, running for about two and a half hours; English movies had ten to twelve reels, lasting ninety minutes to two hours. The reels were enclosed in steel boxes and physically transported from theatre to theatre, often by bus or train.
The Second-Run Reality
To reduce production costs and ensure commercial viability, a Tamil movie was released in about twenty-five cities and towns across Tamil Nadu. Theatres in Udumalpet—the closest town to Amaravathi Nagar, about 25 kilometre away—hardly ever received a new release. They featured in the second-run circuit, meaning a Tamil movie would reach Udumalpet a month or two after its release. English and Hindi movies arrived even later—often six months to a year after their release.
The Weekend Ritual
English and Hindi movies ran as morning shows on Saturdays and Sundays at Udumalpet theatres. After Saturday’s morning show, the reels were dispatched by bus to Amaravathi Nagar and screened in the evening. On Sunday morning, the first bus carried the reels back to Udumalpet in time for the theatre’s Sunday morning show.
Tamil movies, however, were screened as regular shows in Udumalpet—matinee (3 to 5:30 PM), first show (6 to 8:30 PM), and second show (9:30 PM to midnight). Now, how to get those reels to faraway Amaravathi Nagar on a Saturday evening when the movie was still playing its regular shows?
The Ingenious Solution
Mr. Gurumoorthy had an uncanny way of circumventing the problem. After the movie played its first five reels, they were loaded onto the bus on its last trip at 7 PM from Udumalpet. The bus reached Amaravathi Nagar a few minutes before 8 PM. Since the swimming pool was very close to the bus stand, the screening commenced immediately thereafter.

Mr. Menon, on his Bullet motorcycle, stationed at the theatre in Udumalpet, carried the next six reels at 8 PM and reached Amaravathi Nagar by 8:30 PM. He then returned with the reels that had been played so far, reaching Udumalpet in time for the theatre to commence its second show. Later, he carried the last six reels to Amaravathi Nagar and returned them after screening.
What an idea, Sir Ji!
The Contingency Plan
How was any delay in this clockwork operation covered? Mr. Gurumoorthy had an answer. The local theatre had bits and pieces of song-and-dance sequences and fight scenes, cut out from reels of Hindi and English movies. These were screened to keep the viewers engaged while the main reels were in transit.
In those days, there were no mobile phones, no WhatsApp, no instant updates—just meticulous planning, a network of buses, a reliable motorcycle, and a teacher who knew exactly how to keep the show going. And every Saturday evening, we gathered with bated breath, watching the reels arrive and the magic unfold—frame by frame, reel by reel, bus by bus.
Veteran Colonel T Ravi (Roll No 556) reminisces: – ‘Prior to 1969, the school had only a 16 mm projector. The movies were all ‘black and white’ English movies. May be, there were no Thamizh and Hindi movies available in that format.
That time, Chera, Chozha, Pandya and Bharathi Houses dined in the longish shed. Bigger strength Pallava and Valluvar Houses dined in the Boxing Arena. On Saturdays, if a movie was to be screened, we had to pick up our chairs after lunch and deposit them on the lawn that existed between the two sheds. The mess staff took out the dining tables and made seating arrangement for viewing the movie. Dinner was served outside.
90% of 5th and 6th Graders fell asleep as soon as the movie started. For one, we were tired, and the other, we could not understand the language. Subtitles and close captioning were not heard of or seen. The film strips often broke or Mr Cherian had to change the spool with the help of his lab assistant Manuel. He switched on a lamp he had on his switch board, and wake us from the slumber. After the movie was over, we were woken up and sleepwalked back to the dorms.
Sometime in 1969, a 35 mm projector was installed in the swimming pool and the first movie to be screened was Sivaji Ganesan & Jayalalitha starrer ‘Enga Mama’ – remake of Hindi Film Brahmachari) The students sat on the bleachers, while the Staff sat on the top arena. We started watching movies in Eastman color. Since it was an outdoor pool, the movie screening was dependent on weather. Some evenings the movie show was cancelled even while we were eating our early dinner of tomato rice and kaajaa. There have been occasions we had to scoot halfway through the movie, due to unexpected showers.
Apparently, around 1974, the movie screening moved back to the good old ‘longish’ shed, but with a proper projection room and 180-degree change in the viewing direction – with the stage now becoming the balcony.
Some of the daring 11th Graders (senior most then) sometimes sneaked off to Udumalpet on a Saturday evening, watch a movie, sleep in the bus stand and return on Sunday morning. Not many attempted this risky business, anyway.’
Veteran General PM Hariz (Roll No 579) writes:- ‘Whilst watching 16 mm movies like No Man is an Island – a 1962 war film about the exploits of George Ray Tweed, a US Navy radioman who avoided capture and execution by the Japanese during World War II; Sinbad the Sailor – a 1947 fantasy film about the daredevil sailor Sinbad, who embarks on a voyage across the Seven Seas to find the lost riches of Alexander the Great; etc, changing of reels took some time. This dead time was for the singing talents to pelt a few numbers. I vividly recollect Om Prakash (Roll No 285)- our short hockey wizard – singing ‘Asman sey aaya farishta’ and using the reel cover as the dhol (drum.)‘
Movie watching at Sainik School Amaravathi Nagar will forever linger in the minds of all its alumni and so is Mr P Gurumoorthy.




















